Poscig

Friday, 17 January 2014

Barthes Theory

Representations in Film



What/ Who is being represented?

A bank robbery is being represented and an idea of not being able to trust anyone the clip lasts around 4 minutes and in that short space of time the robbers decrease from 5 to 1 due to killing each other out of greed.

How is it being represented?

When the men are killing each other they always do it from behind the man in a blind spot, this shows that the men do feel guilt and know what they are doing is wrong. When the final man to be killed in the scene is run over, it is the first time a man has not been killed by a bullet.

The film is represented in a true fashion we can see that each man is overrun by greed we know this as they are each willing to end another mans life for a bigger pay check. this is most probably a true representation of men in this type of work, they have no morals and this is shown in their ruthless nature.

What is Foregrounded and Back grounded?

The masks are prominent throughout the scene each masks shielding the mens identities this installs an element of fear towards the characters we can not see who they are of their expressions. Their is an elaborate building and setting throughout appearing to be a major city. there is also a vast amount of people throughout the scene cowering in the background which shows just how many people the robbery is affecting.

who's representation is it? Who's interest does it reflect? how do you know?

the director is attempting to represent the scene in the view of the thief's. We know this due to the majority of the shots are either close ups of the thief's or views from the perspective of the thief's for example there is a lot of shots during the opening scene taken from over the thief's shoulders. We are shown the interests of thief's and their intentions in stealing from the building. We know this as these men are the main focus of the scene if the director wanted us to observe the scene from the position of a civilian he would have used different filming techniques to highlight this to us.

How do people make sense of representation? According to what codes?
Barthe's theory: Barthe suggests that films are made in fairy tales either due to their happy ending nature or their eccentric style. It is hard to see happy ending panning out from the scene. Nevertheless, the eccentric nature is used in this scene the breaking in to what appears to be a high end bank is incredibly easy and at no pint are the men confronted by any security.
Mulvy's theory: The male gaze is not really appreciate in this scene. One could argue that the female gaze is more enrolled in the scene. The man defending the building is looked at from high angle showing dominance. Being the only man standing up against the criminals shows bravery from the man which could be considered as the female gaze.

Semiotics in the scene and who they are targeted at?

The opening scene is based around excessive violence and criminality. It is clear that this film is an action film and that there is probably far more violence to come in the later moments of the film. The fact that the men introduce themselves to the building by blazing machine guns highlights to the audience the desire and nature of the characters. the target audience for this film would be action film lovers between 8-70.

The overall felling given off by the clip is that the environment is very dangerous and in need of some innocence and bravery. However the only man willing to defend people is this scene appears to be the owner of the bank. Therefore we are unsure if he is doing out of comparison or protection of his wealth. The clip is fairly short so we have not been introduced to many characters but a violent dangerous and fast pace tone has been set for the film.

Wednesday, 15 January 2014

Polish film poster research


This is the first film poster that we looked at to get research ideas for our own personal film poster, as you can see the main colours that appear to be in this poster are relatively dull and dreary. They have used lots of blacks and grey. Also you can see the image of a persons face.
This film poster is also very similar in the way that it uses dull colours as a main point within the poster also you can once again only see the top part of the persons body who is on the poster.

This poster is slightly different to the other that we had looked at in the way that the characters on the front are more cartoon like, but you can still see that the main colour involved within the poster is once again black.

Here is our final film that we looked at once again like the others you can see that the main colour in this poster is black or grey, they are very dreary and this is common throughout all Polish film posters. The writing is in white and is centralised on the poster to highlight its importance. The white colour also makes sure that it does not clash with the dull background colours used.

What we have learnt from the posters we have researched?
That we should use dull colours on the front of our poster preferably black.
We should put only the top half of our characters body on display.
Use white text as it stands out from the dull background colour.
Make text central as it shows importance.



Poscig Posters and marketing

 DVD Box Cover


Premiere Poster



Main Billboard Poster 
  

Monday, 13 January 2014

Pictures for evaluation

































Evaluation interview questions answer prompts

Question 1
- Polish Language
- Made on no budget
- Different location to your average action film, normally quite built up city areas for action chases.

Question 2
- Represents your average polish person
- stereotypically quite serious people
- The men are represented as quite masculine and violent in the opening scene.
- No women are used at all which gives the film a very masculine dominant feel.

Friday, 10 January 2014

Other polish film inspiration



These are 3 Polish films that we researched to take motivation and ideas for our opening scene we watched Rouge, Zemsta and Dlug in detail and observed what makes a film polish. We were looking for specific traits, colours, amount of speech and opening titles. These are the main things we had to consider when attempting to make a polish film. We wanted to gather ideas and a bit of motivation when watching each film. We thought with an idea from each opening and our own ideas we could have a very independent yet fundamentally Polish film. We will be analysing roughly the first 2.5 minutes of each of the three films.

Rouge:
The start to the film is of a very high quality. We see the man punching a number into a telephone connected to a line. We then see the line follow a pathway in order to connect with another telephone, demonstrated with a flashing orange light. The fast pace to the the camera appearing to fall through the overlapping telephone wires is a very effective technique. Although we cannot incorporate this actual technique into our film, due to the fact that we do not have the financial or editing capabilities. Something that is quite noticeable in the polish films above is the colours are often very bland and almost dull. There is a frequent use of Browns, Greys and Black which is something we must incorporate into our own film to ensure that the film is unmistakeably Polish. Finally the opening title is something that is very clear we see the word ROUGE displayed clearly so the audience is very clear on the title of the film. We will make sure this is in our film, it is vital that our audience knows our title.






Pictures of Team Poscig working

Pictures taken of our Group Working